Canada: April/May, Missa Omnium Sanctorum ZWV 21, Toronto Tafelmusik

In January 2016, the famous period-performance group, Tafelmusik (Toronto) (same as the legendary 1989 recording of Missa Dei Filii/Litaniae Lauretanae 'Salus Infirmorum') held a competition for upcoming vocal soloists. They had to sing a selection of arias from Handel, Bach and Zelenka. The winners were announced, and they will be singing in a concert of Bach & Zelenka, along with the great Baroque specialist soprano Dorothee Mields (her first time with our Czech master?), and conducted by Ivan Taurins.

Here's more info for the April/May concerts:
http://www.tafelmusik.org/conc…ndar/concert/zelenka-bach

Good to hear it went down so well! Here's a positive review that recently came out online:

http://www.musicaltoronto.org/…felmusik-dorothee-mields/

Quote from rnkt

Great review, though not sure I agree with this:

"Zelenka was the loser in the tussle of courtly politics in Dresden, and, in his final years, sat down to show why he didn’t deserve to be slighted. He poured every drop of creative ink he could muster into a set of grand Mass settings he knew could never be performed in his lifetime...... We know that Zelenka never heard this music in his lifetime because there was a 45-minute limit on the length of Mass settings in Dresden, and his Missa Omnium Sanctorum lasts for more than an hour."

Can we really 100% conclude that these works were not performed? I thought I read somewhere that ZWV 17 and 18 must have been performed and these are longer than 45 mins. Of course it sounds very nice to say that he composed only for himself and God in the last years. But throughout his career Zelenka also seems to have been quite a pragmatist, dishing up top quality music for this or that occasion, but there always was an occasion. And I think he enjoyed being different and wrote in his idiosyncratic way in order to be heard. I do believe these works (also ZWV 19-21) were heard, but in a setting which meant the occasion was not recorded. Perhaps a commission from outside of Dresden and the corresponding copy and parts have gone missing. Obviously I am speculating, but I think so are the people who say these works were never performed.

I saw those comments too, but looked past them with a brief roll of the eyes .

You raise some radical points - but I'd like to think they're not so implausible! The argument that ZWV19-21 were never performed is mainly because of the lack of evidence. But, that means that the door can be left open to the possibility, however unlikely. I also recall that Missa Votiva ZWV 18 was performed. It was suggested by the new(ish) evidence from the Bautzen Diocese Archives. The Jesuit Diaries said a 'sacrum novum' was produced by Zelenka in 1739.
Here's the thread about it. And I quote this from djdresden:

"I guess deep inside I was hoping to see some reference to the three last masses but it was not to be and the question remains open if they were performed at the time. It will be exciting to see when the musicologists start working with this info for further evaluation and interpretation."

I find it really interesting that Zelenka used material from the ZWV 21 Missa OS Christe Eleison for the first Aria in ZWV 151 Litaniae Lauretanae 'Consolatrix Afflictorum'. And, that the ZWV 140 Christe Eleison may have been a replacement. Maybe he did plan to have it performed at some point, why else would he go to such a length?

Part of why they are considered so mystically is because of the long dedication that he gives. Obviously, everything Zelenka wrote he dedicated with AMDG etc. or LJC, but the Intro-title that he gives to Missae Ultimae is something else!
Super-fascinating stuff.

Alistair: My pleasure!

Seb

Quote from Benna9

I can't agree that conductor Ivars Taurins' style is "awkward" - quite the opposite. I find him graceful and a pleasure to watch (the music is so strong he doesn't distract). He's a little bit of a ham* but he has excellent control. The results are impeccable, so I don't think a lot of listeners have any problem with it.

*One of Toronto's annual pleasures is Tafelmusik's amazing sing-along Messiah, which he conducts dressed as Herr Handel in full give-'un-guts mode. No, it really has good results, not tacky - look at the YouTube clips if you don't believe me.

Yeah, I thought that was a bit of a strange comment about his style. I absolutely love that Herr Handel stuff on the Youtube vids.
I'm really impressed with Tafelmusik's activity in general. They do educational outreach, which is fab.