Not Bernius, but Wolfgang Horn is the editor the music for ZWV 14. He wrotes in the announcement of the new score
of the Carus Verlag:
"Jan Dismas Zelenka’s Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse – the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka’s unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which, however, can be reliably reconstructed. It is preserved in the Sächsische Landes- und Universitätsbibliothek Dresden."
Posts by Notenschreiber
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I visited this concert on wednesday and i was delighted. Surely one of the highligths of Zelenkas works, whith full baroque pomp, but very intimate parts too and a lot of music which is so typical for Zelenka. In the programme we find that a cd with ZWV 14 will be completed this year and a score of the reconstructed mass will appear in the Carus Verlag.
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There is a modern edition of the Harrer mass, compare [http://www.worldcat.org/title/lateinische-kirchenmusik/oclc/435877864]
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There will be performances of ZWV 9 and ZWV 168: Sa 7.10.2017 / 17 Uhr / Dresden / Annenkirche, see
http://www.dresdner-kammerchor…tdetails/zelenka-152.html -
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http://www.requiemsurvey.org gives ca. 1760 as composition year of the c-moll requiem. I don´t know, if this is reliable.
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Now we have a new edition of the Credo ZWV 32 by Werner Jaksch at IMSLP. Another piece with three trombones! And two choirs!!
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Lute, violone and bassoon instead of lute, cello and oboe?
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I spoke with the musicologist Werner Jaksch about this "Zach conjecture" concerning ZWV 45 and proposed to edit another
requiem of Zach. This is now accomplished, see http://imslp.org/wiki/Requiem_…nor,_KomZ_B18_(Zach,_Jan).
There is an interesting detail, which supported the Zach conjecture: In ZWV 45 and in KomZ 18 the verses 4 -17 of the sequence has been canceled. -
Only the flutes are mentioned in the headline of the Kyrie manuscript, but not from Zelenkas hand. You may be right, the combination of flutes only with trumpets is strange, perhaps the oboes are taken for granted. RISM does not give any hint
for that problem. I will make a remark in the IMSLP edition. -
Here is a list:
ZWV 1: Missa Sancta Caeciliae
Edition Wanhall, 2005 (http://www.edition-wanhall.de)
Score: 38,50 €, Set of Parts: 84,00 €ZWV 2: Missa Judica me
IMSLP 2016, Editor: Werner Jaksch. (Reconstructed version).
Score. The parts can be taken from the IMSLP workpages
ZWV 2, ZWV 26, ZWV 30.ZWV 3: Missa Corporis Domini
IMSLP 2015, Editor: Werner Jaksch.
Score and parts.ZWV 4: Missa Sancti Spiritus
IMSLP 2015, Editor: Werner Jaksch.
Score and parts.ZWV 5: Missa Spei
Seems to be lost.ZWV 6: Missa Fidei
IMSLP 2015, Editor: Leszek Wroriski.
Score and partsZWV 7: Missa Paschalis
IMSLP 2015, Editor: Werner Jaksch.
Score and parts.ZWV 8: Missa Nativitatis Domini
Butz Verlag, 2007 (http://www.butz-verlag.de)
Score: 30 €, Set of Parts: 32 €ZWV 9: Missa Corpus Domini
IMSLP 2014, Editor: Werner Jaksch
Score and parts.ZWV 10: Missa Charitatis
IMSLP 2015, Editor: Werner Jaksch
Score and parts.ZWV 11: Missa Circumcisiones
edition kunzelmann, 1987 (http://www.kunzelmann.ch)
Score: 54,10 CHF. Parts: Hire materialZWV 12: Missa Divi Xaverii
Bärenreiter, 2016 (https://www.baerenreiter.com)
Score: 60 €ZWV 13: Missa Gratias agimus tibi
Carus-Verlag, 1983 (https://www.carus-verlag.com)
Score: 35 €, Set of Parts: 131 €.ZWV 14: Missa Sancti Josephi
Carus-Verlag, 2018
Score: 52 €, Set of Parts: 205 €ZWV 15: Missa Eucharistica (Kyrie und Gloria)
IMSLP 2016, Editor: Werner Jaksch
Score and parts.ZWV 16: Missa Purificationis
IMSLP 2016, Editor: Werner Jaksch
Score and parts.ZWV 17: Missa Sanctissimae Trinitatis
Breitkopf und Härtel, 1987. Das Erbe deutscher Musik, vol. 103
https://www.breitkopf.com/work/1/das-erbe-deutscher-musik
Score: 258,94 €ZWV 18: Missa Votiva
Breitkopf und Härtel, 1997. Das Erbe deutscher Musik, vol. 108
https://www.breitkopf.com/work/1/das-erbe-deutscher-musik
Score: 221,49 €IMSLP 2016, Editor: Wolfgang Skala
Score and partsZWV 19: Missa Dei Patris
Breitkopf und Härtel, 1985. Das Erbe deutscher Musik, vol. 93
https://www.breitkopf.com/work/1/das-erbe-deutscher-musik
Score: Out of stock
IMSLP 2017, Editor: Wolfgang Skala
Score and partsZWV 20: Missa Dei Filii
Breitkopf und Härtel, 1989. Das Erbe deutscher Musik, vol. 100
https://www.breitkopf.com/work/1/das-erbe-deutscher-musi
Score: Out of stockIMSLP 2017, editor: Wolfgang Skala
Score and partsZWV 21: Missa Omnium Sanctorum
Breitkopf und Härtel, 1989. Das Erbe deutscher Musik, vol. 101
https://www.breitkopf.com/work/1/das-erbe-deutscher-musik
Score: 234,33 €IMSLP 2016, various editors (Score of No.1, 11, 12, 13)
IMSLP 2017, editor: Wolfgang Skala
Score and parts -
Now we have a new edition of the Missa Purificationis (ZWV 16) by Werner Jaksch at IMSLP!
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Yes, there is no problem with the copyright, at least in the EU.
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A new edition of the Missa Eucharistica, ZWV 15 (Full score and vocal score) has been uploaded at IMSLP, editor is W. Jaksch.
Edit: The parts has been augmented. -
There are 2 LX by Johann Michael Breunig (Breunich), the successor of Zelenka in Dresden as composer for the catholic court church.
Copies of these two Litanae are available in Berlin (http://digital.staatsbibliothe…ich%2C%20Johann%20Michael). -
Thanks!
Notenschreiber
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Would you please upload the Osanna to IMSLP?
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All these scores has been published at Breitkopf as "Erbe deutscher Musik" Vol.93 (ZWV 19), Vol.100 (ZWV 20 + ZWV 151) and
Vol.101 (ZWV 21+ ZWV 152). One may order these volumes in a scientific library, perhaps via inter-library loan. -
Hi Xanaseb, thank you very much for the links, very interesting. All in all they coincide with my very positiv impression of these performance. I was not disturbed by the "dancing style" of Luks, he is just enthusiastic.
The Heinichen concerto survives by a copy of Graupner, this explains perhaps the painting of the margrave of Darmstadt, but
you are right, that´s misleading. Best Greetings, Notenschreiber -
Being back from Berlin, i can say that the performance of ZWV 21 was more than excellent: i can´t image that it will be topped
by anyone else.